Showing posts with label rock art. Show all posts
Showing posts with label rock art. Show all posts

Saturday, July 2, 2022

Computer Case Mod for "Gondor"

 

I assembled my first custom-made desktop computer several years ago when I was still living in Utah. My youngest son, Alan, had actually put it together a year or two before that, but he was upgrading and I wanted something better than the MacBook BYU had issued me as a work computer.

Saturday, February 25, 2017

New Links Pages

Sometimes I find an interesting article or two online that I don't have the time or gumption to write about.  I've added some pages to this blog where I will post these.

So far I have the following:
I am also added a similar page to my Rock Art blog.

Saturday, August 17, 2013

Post from My Rock Art Blog

Most Barrier Canyon Style (BCS) rock art examples are pictographs that have been painted on the rock using a red/orange/pink or white pigment.  The Great Gallery in Horseshoe Canyon, the Buckhorn Draw and Head of Sinbad pictographs are classic examples.

However, I did run into a small example of a BCS petroglyph in Short Canyon.  Petroglyphs were chipped or pecking into the stone using a harder stone as a chisel.  The example below was very faint and only eight or ten inches small.  But is certainly looks BCS to me.

Tuesday, July 23, 2013

Spinning off my Rock Art Posts

I've started up a parallel blog that focuses just on my visits to rock art sites.  The new blog is at http://utahpetrographs.blogspot.com.  I've copied (with some updating) posts from this blog on the sites at: Rochester Creek, Coyote Gulch, Black Dragon Canyon, Head of Sinbad, and Short Canyon (which has several different panels).  More will be added over time.

These posts contain explanations and descriptions.  All of my photos will eventually be available on my site at Photobucket.  I've also put many of them linked together on Photosynth, as explained in this post from 2011.

Enjoy!

Saturday, April 6, 2013

Cliffhouse Arch

I recently put up some photos on Photosynth from my earlier hike down the Escalante River in 2008.  This is a really cool way to look a scenery, especially rock art.

Here is the link for this set of photos.  For more of these, especially rock art, try this link.  Enjoy!


Sunday, February 6, 2011

A Nifty Way to View Rock Art

I just discovered Photosynth, a photography software package and online gallery from Microsoft. It turns out to be a really good way to display rock art. It stitches all the photos together for you, and allows you to zoom in on details. The whole panel or gallery of rock art can potentially be linked together and it gives you a good context for seeing how the whole is laid out, while still allowing you to look at the details if you wish.

I put up several "synths", but a good example is the one from the Grand Gallery in Horseshoe Canyon.

Tuesday, February 1, 2011

Backpacking to Neon Canyon, May 2010


Last May, my brother Kendall, my son Evan, and I backpacked into Neon Canyon for three days and two nights.

Neon Canyon is a box canyon tributary to the Escalante River and is accessed from the Egypt trailhead off of the Hole in the Rock Road, south of Escalante, Utah.

Monday, January 31, 2011

Trip to Horseshoe Canyon, October 2010

I have fallen far behind on this blog, so here is an attempt to report on a trip from last fall.

I went with all four of my children and my son-in-law to Horseshoe Canyon during the Fall break for the local (Alpine) school district. Lynn, Joan and I did this hike back in September of 2006 on one of our Daddy-Daughter Campouts, but my camera was in the shop and we only got mediocre photos. This time, I took the digital SLR and a tripod. We left home on the morning of Friday, the 15th, and arrived at the trailhead around 1:00 p.m. We hiked down into the canyon and visited all four pictograph sites: The High Gallery, the Horseshoe Gallery, the Alcove Gallery, and the most impressive one, the Grand Gallery.

Petroglyphs in Provo Canyon


I went hiking near Johnson's Hole in Provo Canyon with my son, Alan, on Saturday and we finally found the petroglphys there. Back in Fall of 2005, my neighbor, Don Roberts, and I hiked through the same area looking for them, but couldn't find any. I've been through the area again several times, but never stopped to look seriously.

Sunday, May 17, 2009

A Swell Weekend

The lower of two large rock art panels in Short Canyon

I went on a campout this weekend with the scouts. We had the 12-13 year-old group (the scouts) and the 14-15 year-old group (the varsity scouts) with a total of 16 people.

We drove down Friday night to the Moore cutoff road and stopped at Dry Wash to see the petroglyphs and dinosaur tracks.

From there we drove around the edge of the Molen Reef to the mouth of Short Canyon. We had two 4WD pickups and a minivan. There were a few spots that were a bit iffy for the minivan, but we made it with no damage. The campsite was dry so we relied on the water we brought. After setting up camp four of us, Ryan Allen, Scott Preston, Brian Wheelhouse and I headed up the canyon to a spot where some pictographs had been geotagged on Flickr. By the time we got there it was getting dark and we wandered around looking for signs of rock art. Eventually, Scott and Brian found a small panel with two figures. One had wavy arms, so I am calling it the Wavy Arms panel.


An incredibly handsome guy next to the Wavy Arms panel.
We moved further up canyon along the ledge where we found these figures and then ran into a huge double panel. By the time we got there it was too dark to get good photos even with the flash, so we decided to revisit the site the next morning with the whole group.
I slept in the bed of my truck on Friday night. It was less lumpy than the ground and there was a bit of a canyon wind, so it was better than sleeping on a tarp as I had planned. I got up early enough to see the sunrise and enjoy it. After that we roused everyone up and headed back up the canyon.

I got some good photos of the double panel and we also found another small panel further upstream with a pair of figure, which I am calling the Bug-Eye panel because the larger of the two has big bug-eyes.

Scott shows monumental disrespect for the figures at the Bug-Eye panel

We explored further downstream along the same ledge and found some very faint petroglyphs that we would never have seen from the bottom of the canyon.

Scott also pointed out several other figures on the walls futher downstream that we had missed while hiking in. I got some telephoto shots of those, but there is not much detail.

I've posted all the photos from Short Canyon at the following URL - http://kerk.pomosa.com/myphotos/Rock%20Art/shortcanyon.htm

After Short Canyon we drove over to the entrance to Eagle Canyon just west of Forgotten Canyon. Our intent was to hike down into the canyon from here and then up Forgotten Canyon. However, a certain scout leader who shall remain unnamed, marked an incorrect waypoint and we ended up trying to enter through the wrong side canyon. In all fairness to the aforementioned scout leader, the descriptions of the entry were rather vague and there are at least three side canyons in the area. We tried the middle one first, right on the waypoint as marked and discovered that there was a cliff and pouroff that made it impossible to pass. We tried climbing out of the gully to the left and found a larger side canyon with somewhat manageable slopes in the upper reaches, but it has several cliffs and pouroffs further down that made it impassable too. The correct entry was to the right of our first obstacle, not the left, but I did not discover this until after we got back and I went over the terrain carefully using Google Earth. I'm still not sure how gradual the descent is. The first route looks easier, but you can't see vertical dropoffs very easily from satellite photos.
The second wrong way into Eagle Canyon

We decided to head home at this point because we were running out of time even if we had found the right entrance. We stopped at the Rocheseter Creek petroglyphs on the way back and made it home by 5:00 p.m.

Tuesday, May 12, 2009

Head of Sinbad Pictograph Panel


One of the other sites we hit on Saturday was a Barrier Canyon Style panel near the Head of Sinbad right in the middle of the Swell. The interstate passes within a mile or so of the panel, but historically this part of the Swell has not had a lot of traffic. It differs in this regard from the panels in Buckhorn Draw and Black Dragon Canyon which are both located along rather obvious travel routes. As a result, unlike these panels, the small one at the Head of Sinbad is in close to pristine condition. You can even see the brushstrokcs on some of the figures.

The panel was all in shadow while we were there which made for pretty good photos. Again you can see them at my rock art page. The ones below are some of my favorites.
Detail of a spirit figure? Or a shaman?

Birds or Antelope?

I am convinced beyond all doubt that this figure is supposed to be ET.

Monday, May 11, 2009

Black Dragon Canyon Pictographs

The Black Dragon?
I took a tour with my two youngest children this past Saturday. The Prehistory Museum at the College of Eastern Utah in Price does a regular series of expeditions through the San Rafael Swell, which they call "Saturday on the Swell". This last Saturday's was headed by Dr. Renee Barlow and focused on Native American rock art in the Swell. We visited 4 sites with the group and one of the most fascinating was the one in Black Dragon Canyon.

Black Dragon Canyon is, in fact, named for the pictographs there. There are two panels: one is a Barrier Canyon Style (BCS) panel like those found in Horseshoe Canyon. The other is roughly contemporaneous, meaning it is also three to five thousand years old. It is a completely different style, however. Being in a better overhang these pictographs are in better condition than the BCS panel which is more exposed to the elements and has faded a bit. Dr. Barlow informed us that the closest match to these pictographs comes from Southern Mexico.

Black Dragon Wash is easy enough to access. You need to exit the westbound lane of I-70 about 3/4 a mile after it crosses the San Rafael River. There is gate in the fence. Follow the dirt road north for just over a mile and you will come to a sign pointing up the wash to your left. If you don't have a four-wheel drive, park here and walk up the wash. You can drive (slowly) up the wash if you have four-wheel drive. From the sign to the panel is .65 miles. The canyon narrows and turns to the right and the panels are on the northeast side of the canyon as it loops back to the left again. The BCS panel is located on the cliffs above the rubble pile. The second panel is located to the left of this, lower down, under a slight overhang.

I have posted all the photos I took here, as ususal, on my rock art page. These are reduced resolution shots. Anyone interested can email me and I'll send you the full-resolution originals. The light was not ideal for the BCS panel, but shots of the second panel, which was in shade, turned out quite well.
One interesting thing I noticed after I got back is that someo of the figures in both panels have been outlined in what looks like white chalk. This seems to indicate that the outlining was done sometime after both sets of figures were drawn. How long, I can't begin to guess. Black Canyon Wash was a well-used route through the San Rafael Swell for many, many years. The chalk outlines could be modern or very old.

8-12 foot figures in the Barrier Canyon Style

Example of non-BCS figures

Thursday, April 30, 2009

Coyote Gulch Pictograph Panel

The Central Figures

The pictograph panel in lower Coyote Gulch is located about half a mile downstream from Coyote Natural Bridge. It is located on the north wall of the canyon at the top of a sandy hill. There is a very clear path running up the hill to the panel.
I have posted all the photos I took here on my rock art webpage.
Most of the images are pictographs painted on the rock, but there is a faint hourglass shapped figure scratched into the rock. Also something that looks like a pair of horns that have been pecked into the rock deeper than the scratching.
The art shows a Fremont influence. At least the light grey-yellow painted figures which are similar to the horned figures found in Fremont rock art. The other figures are more difficult to place, especially for an amatuer like myself. In some cases, like the object we labelled the tennis racquet, the red pigment looks older than the grey. But in the case of what Dave called, "The Chief", the red looks just as recent as the grey.
When we looked around we noticed that someone had piled up some of the stones in the area to look like a low wall. I am skeptical that this is authentic, but the stones may have well been builiding block of earlier structures. We also found two circles that had numerous bits of corn cob, squash rind, bone, and hard flints. One was inside the low wall. The other was in what looked like a fire ring, but some of the rocks in the ring were actually adobe, not stone. Again, I suspect these have not been lying here like this for hundreds of years. Most likely they are objects that hikers have run across and deposited here since they saw earlier hikers had done so. Dave raised an interesting question though, why hasn't somebody just walked off with all this stuff? Perhaps they have, just not all of it. Or do Coyote Gulch hikers have enough civic virtue to only look and not steal? At least two do.
Looking around the shelf where these two circles were (located under a slight overhang to the west of the panel) we noticed little bits of black charcoal mixed in with the sand. Even a casual observer can see that this site was occupied in some form in the past.
In order to find out more about the site I checked out two published articles. One is a paper by Phil R. Geib, entitled "New Evidence for the Antiquity of Fremont Occupation in Glen Canyon, South-central Utah." The other is an anthropological paper from the University Of Utah written in 1959 by James H. Gunnerson, entitled "1957 Excavations, Glen Canyon Area."
Gunnerson reports on excavations at three sites in Coyote Gulch, but the sites are all several miles upstream from the pictograph panel. Geib reports on radiocarbon dating from the richest site there, called the Alvey site, and from four other sites in the Escalante drainage. I have not been able to find any published information on this particular site, so it may not have ever been excavated. Nonetheless, information about the other sites sheds light on who was living in the area and when.
Gieb finds evidence from his radiocarbone dating that the Fremont were well-entrenched in the area, raising corn & squash and using pottery during the period from 200 AD to 900 AD. This date is a bit earlier than previous researchers had hypothesised. The Alvey site consisted of three layers the middle of which corresponds to this time period. The top layer had objects of both Fremont and Anasazi origin mixed together. This indicates that the Anasazi appeared here after the Fremont. The most common dates I have come across for the Anasazi are in the range of 1000 to 1250 AD.
According to Don Montoya, Museum Curator at the Anasazi State Park Museum in Boulder, UT, there is rock art scattered through this general area dating back as far as 5500 BC. So, the figures that are not obviously Fremont could be archaic or Anasazi. Or perhaps of some other orgin altogether.
Bottom line is that the side trip up the sandy hill is well worth the effort. The pictographs are in excellent condition and you can get up fairly close to them to see what they look like.
Dave Spencer at the Panel
I am informed by Dave who was informed by other knowledgable sources named Elliot, that there is another well-known pictograph panel in the Gulch. When we were hiking in I saw a well-worn trail high up the side of the canyon on another sand hill that I suspected might lead to pictographs or a cliff dwelling. Perhaps this is where they are.
I found a photo of a different panel on Flickr. Perhaps this is the other site
Update
I enhanced the contrast on one of the photos and reproduce it below:

It looks to me like there are two more faintly scratched figures here. The "tennis racquet" is painted over the top of one. On closer examination, it may be that it was scratched over the top of the racquet. If fact, it may have been painted, but if so the paint has mostly worn off. The other is just to the right of the central white horned figure. You can make out the horns to the right of its head.
Actually, all the easily visible figures look like they are painted on top of or around older, fainter ones.
Another Update
Here are two photos that show the main figures in the panel. One show where I think there are faint horned hourglass figures. Maybe I'm just seeing things, though.


And I have an opinion from an expert as well. Dr. Renee Barlow from the CEU Prehistory Museum in Price says in an email:
"It is quite beautiful, and does appear to be somewhat impressionistic with elements resembling Fremont figures. I think though, that overall the panel does not look like typical Fremont rock art in this region, so it may be difficult to assign a definitive cultural affiliation. If the rock art were dated, that would help of course."

Wednesday, December 10, 2008

Rochester Creek Rock Art Panel

The rock art panel at Rochester Creek is easily accessible and worth a trip. It is located east of Emery, Utah on a rock face overlooking the confluence of Muddy Creek and Rochester Creek. Take highway 10 and turn onto the road to Moore between mile markers 16 & 17. A half mile from the highway is a graded road headed south, it is an other 4 miles from here to the trailhead parking lot. From the parking lot the trail to the panel is a half mile or so.

Almost all the rock art here is petroglyphs; that is, art made by pecking away the dark surface rock, the "desert varnish", to reveal the lighter rock underneath. It is a mixture of all ages. There are definitely some Fremont glyphs, and some Ute ones, and some that look suspiciously like African animals which were probably carved by non-Indians.

The panel is impressive and there are numerous carvings on other rock faces nearby, so be sure to look around. One that many visitors miss is found inside a rockfall cave behind the main panel.


The Main Panel

A Closer View of the Main Panel

A Fremont-style Figure

Figures inside the Rockfall Cave
Go to this webpage for more of my photos from a visit in the Spring of 2008.

Sunday, December 7, 2008

Hiking the Escalante River Canyon

This is a relatively easy hike along the Escalante River through some very beautiful scenery. I went with the boy scouts on this one last June. The upper trailhead is just outside the town of Escalante and the trailhead at the other end is by the bridge where highway 12 crosses the river at Calf Creek. You can do the hike in a day, but it's alot of walking and you wouldn't have much time to explore or enjoy the scenery. Most people do it in two days. We took three.
You will need to register for a backcountry permit at the interagency visitor's center in Escalante if you are planing on staying overnight. You should also be prepared to utilize Leave No Trace principles, which in Escalante Canyon includes no open fires and pack out your toilet paper.

The hike divides easily into two parts of roughly equal length: 1) from Escalante to the Death Hollow and 2) from Death Hollow to Calf Creek.


Escalante to Death Hollow
For the first part, the canyon is much narrower than further down and the stream is much smaller. I suspect the main reason is that much of the water that used to flow down the Escalante here is now siphoned off for use in the town of Escalante.

There are at least three native American pictograph panels located in the first two and half miles of the hike. The first is located just over a mile in, on the north side of one of the big loops the river makes. Look for a couple of large trees on the west side of the stream and you'll see a clear path from there to the cliff face where the petroglyphs are carved. There are at least two spots here with pictographs, so look around and be sure you see both. Look behind the brushes growing next to the clearly visible panels as there are some carvings that are hidden.

First Pictograph Site
The second site is located downstream on the next loop in the river, at almost the exact same spot in the loop, the northwest. This one is smaller and has some more modern additions.

Second Pictograph Site
The third site is located two more bends down the river in a huge alcove on the north side of the river. It's impossible to miss. This alcove is so big and so obviously a great shelter, you wonder why the Anasazi didn't build a big complex here like they did at Mesa Verde. On a follow up hike just after Thanksgiving with my family, I discovered at least a partial answer. This site gets no direct sun in the Winter.
The pictographs here are in pretty bad shape and look to have been restored at some time. The more you look around the more you can tell that this site used to be covered in graffiti, but it has been scrubbed away. Who knows what other Fremont or Anazai pictographs were here before the graffiti was scawled all over? The main art is a series of four figures linked arm-to-arm at the back. It is unmissable. There are some other figures a few feet to the left and some very small ones on the wall at the far right in the back of the alcove.

Third Pictograph Site
The other interesting thing here is the hard sand that forms the floor of the alcove. Where it drops off into the stream bed people have carved all sorts of faniciful things into the five-foot high sand cliff.

The alcove from aross the river and slightly downstream
This is a good place to camp if you have the time. If you are trying to do the hike in two days, you should keep on hiking. The water in the river slowly dwindles and completely disappears a few miles below this site, so your next best camping spot is at the mouth of Death Hollow. The spot marked on my map above with the red circle had no water, so don't plan on camping there.

The hike from the alcove to the mouth of Death Hollow is 4 to 4.5 miles and the section about a mile upstream from the confluence is especially impressive. The hiking is easy all along this route, but especially so here since there is no water in the riverbed.
Be sure to take some time and hike at least some small distance up Death Hollow. The banks have patches of poison ivy, so your best route is to walk up in the middle of the stream bed. The canyon is very spectacular and it would be a shame to miss it after coming all this way.

Death Hollow to Calf Creek
The hike from Death Hollow to Sand Creek is a bit harder, but still not very hard. The biggest impediment, if you are backpacking, is the river crossings. The river is no longer dry and its not a little stream you can jump across like it is at the begining of the hike. Plan on getting your feet wet. The banks are steep and very sandy. Going down is easy, climbing up the opposite bank is a real pain. Most people give up and just hike along the stream bed. It's slower going and the loops in the river make it longer, but its much more pleasant, especially if you are in no particular hurry.
Two and half miles downstream from Death Hollow, the river makes a big southern loop. The south side of the canyon is a towering sheer cliff, and the river bottom is covered with trees growing in soft white sand. This would make a good campsite if you were on an extended trip.

The Sandy Loop


Another mile below this Sand Creek joins the Escalante from a canyon to the north. The canyon is much wider here and the trail is well-defined. The hiking is easier on the trail than in the river. About a half mile below Sand Creek there is a huge natural arch on the south wall of the canyon. To the east of this is an alcove in the cliff high above the canyon wall with several Anasazi cliff houses in it. This is also a good place to camp.
The Natural Arch

Alcove with Cliff Houses
Another half mile downstream from here, hidden in shadows on the south side of the canyon, is Ecalante Natural Bridge. The shadows make it difficult to photograph, but it is easy to see and you can walk up underneath it with a little effort.
From here it is another two miles to the trailhead at Calf Creek. If you have time and energy left over you can follow a trail from the parking lot up onto the north side of the canyon and see the Hundred Hands pictograph. A walk downstream below the bridge for a couple hundred yards or so will allow you a view of another cliff house on the north side of the canyon.
This is a fun hike through some spectacular country and it's relatively easy with not much up and down. You could spend days exploring here if you wanted to.
For a more detailed, higher resolution version of the maps here, try this link.
Here are a couple of handouts from the visitor's center:

Tuesday, December 2, 2008

Pictographs in Calf Creek Canyon

My daughter and I went hiking the day after Thanksgiving in Calf Creek Canyon in Escalante - Grand Staircase National Monument in southern Utah. We drove over in the late morning from Panguitch where we were spending the holiday with my sister and her family and started hiking around noon. The weather had been rain and snow earlier in the week, but thing cleared up nicely for the hike and the sun was shining most of the time. This hike is very popular and the parking lot at the trailhead was full by the time we got there.

We were about a mile into the hike when we started looking on the opposite canyon wall (to the east) for pictographs. We thought we saw some faint ones, but weren't sure. So I pulled out the telephoto lens to get a better look, but we still couldn't tell for sure. Just to be safe I took a couple of photos to look at later.

As we continued up the trail, my daughter spotted the pictographs we were looking for - a group of three figures in a row clearly visible on a cliff face across the canyon. I got some shots of these too and we continued the hike.

When we got back to a computer and I uploaded the photos we noticed that the faint markings we originally saw were, indeed, pictographs. In fact there were at least a dozen of them, but we would never have seen them without the telephoto shots.

This is the image that first caught our eye. Notice the fainter images to the right with the yellow tint.
This image is located to the left of the one above. I enhanced the contrast to make it easier to see the sheep.
This is a wider view of the whole area. If you look carefully you can see several faint images here.


For higher resolution views of these and other photos visit the url below.


The alcove where these pictographs are located in the center of the Google Maps box below. The more visible "Three Men" pictograoh is in the alcove immediately to the northwest.

View Larger Map